The denaturing of experience has important implications for narrative literature, especially narrative fiction. The denaturing process can be thought of as a set of vectors defining a textual field of play. The more vectors that are energized in a particular text or site, the more dimensional complexity the field will have, and consequently the more complicated it can be. In a fully denatured narrative, one would expect the language to be self-referential; the context to be self-consciously created, perhaps by the splicing together of disparate contexts; the narrative progression to be advanced through the evolution of underlying structures rather than through chronological time; and the characters to be constructed so as to expose their nature as constructions.