李清照的《词论》中批评苏轼说“苏词不协音律”。由此可见她的词是讲究音韵

李清照的《词论》中批评苏轼说“苏词不协音律”。由此可见她的词是讲究音韵和谐的。李清照善以寻常语度人音律,奇妙而谐律，出神人化。在其词作中，运用叠字的句子还有很多。如《鹧鸪天》“寒日萧萧上锁窗”；《浣溪沙》中的“淡云来往月疏疏”；《行香子》中的“凄凄惶惶，酒醒时往事愁肠”等。尤以《声声慢》中运用叠字产生叠音到达了奇绝的境地。且看开篇“寻寻觅觅，冷冷清清，凄凄惨惨戚戚”三句十四字，七种音的叠用，把凄冷无比的形象渲染到了极致，为全文铺上了一层清冷的色彩。十四句七组重叠，造成了一种急促，跳动，铿锵的艺术效果。词的结尾处又以叠音词“点点滴滴”与开篇十四字遥相呼应，气势贯通。同时，叠字能产生韵律音韵美和语言修辞美。《声声慢》里叠词两个字一个停顿。同一个节拍，先重后轻，顿挫凄绝，由平和低缓到紧促深沉，就像小溪之水流入大海一样变幻无穷。用心读来，如泣如诉，只觉情真意切，令人潸然泪下。

李清照的《词论》中批评苏轼说“苏词不协音律”。 由此可见她的词是讲究音韵和谐的。 李清照善以寻常语度人音律,奇妙而谐律，出神人化。 在其词作中，运用叠字的句子还有很多。 如《鹧鸪天》“寒日萧萧上锁窗”；《浣溪沙》中的“淡云来往月疏疏”；《行香子》中的“凄凄惶惶，酒醒时往事愁肠”等。 尤以《声声慢》中运用叠字产生叠音到达了奇绝的境地。 且看开篇“寻寻觅觅，冷冷清清，凄凄惨惨戚戚”三句十四字，七种音的叠用，把凄冷无比的形象渲染到了极致，为全文铺上了一层清冷的色彩。 十四句七组重叠，造成了一种急促，跳动，铿锵的艺术效果。 词的结尾处又以叠音词“点点滴滴”与开篇十四字遥相呼应，气势贯通。 同时，叠字能产生韵律音韵美和语言修辞美。 《声声慢》里叠词两个字一个停顿。 同一个节拍，先重后轻，顿挫凄绝，由平和低缓到紧促深沉，就像小溪之水流入大海一样变幻无穷。 用心读来，如泣如诉，只觉情真意切，令人潸然泪下。

In Li Qingzhao's on CI, he criticized Su Shi for saying that Su's Ci didn't conform to the rhythm. It can be seen from this that her words are harmonious in rhyme. Li Qingzhao is good at using common language to describe people's temperament, which is wonderful and harmonic. In his works, there are many sentences with reduplication. Such as "partridge day" and "cold day Xiaoxiao lock window"《 In huanxisha, "light clouds come and go, and the moon is sparse."《 In Xingxiangzi, there are many words such as "sad and anxious, the past is sad when I wake up after drinking". In particular, the use of reduplication to produce reduplication in Sheng Sheng man has reached a unique situation. Let's take a look at the three sentences and fourteen words of "searching, cold and pure, sad and miserable" at the beginning of the article. The overlapping use of seven kinds of sounds makes the image of miserable and cold to the extreme and paves a layer of cool color for the full text. Fourteen sentences and seven groups of overlapping, resulting in a rapid, beating, sonorous artistic effect. At the end of the word, the reduplicative word "diandidi" echoes the opening 14 words, which is full of momentum. At the same time, reduplication can produce the beauty of rhyme and rhetoric《 In slow voice, there is a pause for two words. The same beat, first heavy and then light, is full of ups and downs, from gentle and low to tight and deep, just like a stream flowing into the sea. When I read it with my heart, I feel like crying. I feel that it's true and makes me cry.<br>