关于接受理论,有不少知名人士都做了相关的阐释:法国文学批评家圣伯夫说:

关于接受理论,有不少知名人士都做了相关的阐释:法国文学批评家圣伯夫说:

关于接受理论,有不少知名人士都做了相关的阐释:法国文学批评家圣伯夫说:"最伟大的诗人并不是创作得最多的诗人,而是启发得最多的诗人。"费尔巴哈谈到音乐时说:"当音调抓住了你的时候,是什么东西抓住了你呢?你在音调里听到了什么呢?难道听到的不是你自己的声音吗?"法国作家法朗士在《乐图之花》中曾经说过这样一段话:"书是什么?主要的只是一连串小的印成的记号而已,它是要读者自己添补形成色彩和情感,才好使那些记号相应地活跃起来,一本书是否呆板乏味,或是生气盎然,情感是否热如火,冷如冰,还要靠读者自己的体验。或者换句话说,书中的每一个字都是魔灵的手指,它只拨动我们脑纤维的琴弦和灵魂的音板,而激发出来的声音却与我们心灵相关。"这段关于作品文本和读者理解之间存在着差异和互相补充,阐发的精彩议论,形象而生动地道出了接受理论的主旨。 汉斯·罗伯特·姚斯《接受美学与接受理论》
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结果 (英语) 1: [复制]
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On the acceptance of the theory, many celebrities have done a related explanation: French literary critic Shengbo Fu said:. "The greatest poet is not the most creative poet, but the most inspired poet" Fei Erba Ha said of music: "when the tone caught you, is what you caught it in the tone of what you hear in it do not hear your own voice it???" the French writer francs Guests in the "music map of the flowers" in once said this to say: "What book is mainly just a series of small printed sign it, fill it to the reader to form their own color and emotion, we go to make those marks accordingly? to become active again, whether a book is dull and boring, or vibrant, whether emotional hot fire, cold as ice, but also on the reader's own experience. in other words, every word in the book are Daimon fingers, we only struck the strings and soundboard soul of brain fibers, and inspired voice was relevant to our hearts. "this works on between the text and the reader understand there are differences and complement each other, wonderful exposition talk, And as vividly revealed the gist accepted theory. Hans Robert Jauss' Reception Aesthetics and Reception Theory "
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结果 (英语) 2:[复制]
复制成功!
As for the theory of acceptance, many famous people have made relevant explanations: the French literary critic St. Bove said: "The greatest poet is not the most creative poet, but the most inspired poet." "When the tone catches you, what catches you? What do you hear in the tone? Don't you hear your own voice? French writer Frans once said in "The Flower of Le Tu" that "What is the book?" The main is just a series of small imprinted marks, it is to the reader to add their own color and emotion, so that those marks are correspondingly active, whether a book is dull, or lively, whether the emotion is as hot, cold as ice, but also rely on the reader's own experience. Or in other words, every word in the book is the finger of the spirit, which only touches the strings of our brain fibers and the soundboard of the soul, and the sound that is inspired is related to our hearts. "There are differences and complements between the text of the work and the reader's understanding, and the wonderful discussion expounded vividly shows the main thrust of the acceptance theory. Hans Robert Yaos, The Theory of Acceptance and Acceptance
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结果 (英语) 3:[复制]
复制成功!
As for reception theory, many famous people have made relevant explanations: French literary critic Saint bove said: "the greatest poet is not the one who creates the most, but the one who inspires the most. "When Feuerbach talks about music, he says," when the tone catches you, what catches you? What do you hear in the tone? Isn't it your own voice? "French writer Frances once said in the flower of music:" what is a book? It's mainly a series of small printed marks. It's for the readers to supplement and form by themselves Color and emotion can make those marks active correspondingly. Whether a book is dull or full of life, whether the emotion is hot or cold, depends on the reader's own experience. Or in other words, every word in the book is the finger of the devil. It only touches the strings of our brain fibers and the soundboard of our soul, but the sound aroused is related to our soul. "There are differences and complements between the text of the work and the reader's understanding, and the brilliant comments elaborated vividly and vividly express the main purpose of the reception theory Hans Robert Jauss's reception aesthetics and theory<br>
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