An equally striking premise, the “e

一个同样引人注目的前提下，概念“的混沌边缘”，完全由稳，普通增量或？DER混乱纠纷运动信仰的有效性。因为它从阴沟里挂着冰柱融化说明了这个骗子？CEPT。它不以常规速度小屋淌不规律，然后SUD？denly崩溃到地面溶解。这个动作体现了越乱变阵，通过从一个系统到另一个-A系列，在海洋中产生岛火山喷发的重复和无序突然发生变化。通过在下降 - 这个观点的质疑率周期性恩？tropy规律性的假设提出了关于骗子的疑虑？ventional的方法来理解变化世界美国（冰河时代，臭氧层耗竭，一个物种的灭绝各地）。<br>这些观念有深远的应用程序由人文就业，为他们提供生动的比喻来支持思维以非线性方式认识论的批评。几个世纪以来，文学批评家，像他们COUN？在terparts科学，顺应了拥有特权的线性，原因和结果的逻辑分析的最具生产力的一种文化的期望。结果，用来表达关键概念的隐喻来到这个直角方向出来。

An equally striking premise, the “edge of chaos” concept, disputes the validity of belief in movement solely by steady, regular increments from order to chaos. An icicle melting as it hangs from a gutter illustrates this concept. It does not dissolve at a regular rate hut drips erratically and then suddenly crashes to the ground. This movement exemplifies the more chaotic evolutions, occurring through repeated and abrupt disordered changes from one system to another—a series of volcanic eruptions that produce an island in the middle of the ocean. By questioning assumptions of periodic entropy-regularity in the rate of decline —this view raises doubts about conventional approaches to understanding changes in the world around us (the Ice Age, the depletion of the ozone layer, the extinction of a species).<br>These ideas have far-reaching application to critiques of epistemologies employed by the humanities, for they supply vivid metaphors to support thinking in a nonlinear way. For centuries literary critics—like their counterparts in the sciences—have conformed to the expectations of a culture that has privileged linear, cause-and-effect logic as the most productive form of analysis. In consequence, the metaphors used to express critical concepts came out of this Cartesian orientation.

另一个同样引人注目的前提是“混沌边缘”概念，它仅仅通过从混沌到混沌的稳定、有规律的增量来质疑运动信念的有效性。挂在排水沟上的冰柱融化说明了这一点。它不会以正常的速率溶解，但会不稳定地滴水，然后突然坠地。这一运动体现了更为混乱的演变，通过一个系统到另一个系统的反复和突然的无序变化而发生——一系列火山爆发在海洋中部形成一个岛屿。通过质疑递减率的周期性规律性假设，这一观点对理解我们周围世界变化的传统方法（冰河时代、臭氧层损耗、物种灭绝）提出了质疑。<br>这些观点在批判人文学科的认识论上有着深远的应用，因为它们提供了生动的隐喻来支持非线性思维。几个世纪以来，文学评论家们，比如他们在科学领域的顾问们，一直遵循着一种文化的期望，这种文化将线性、因果逻辑视为最具生产力的分析形式。因此，用来表达批判性概念的隐喻就是从笛卡尔的角度出发的。