受各方面影响,《聊斋志异》在人物描写时体现出性别审美的中性化特征。它不同于经典的男女之别的描写,超出了传统社会要求和限制,在外貌和性格等多方的英语翻译

受各方面影响,《聊斋志异》在人物描写时体现出性别审美的中性化特征。它不

受各方面影响,《聊斋志异》在人物描写时体现出性别审美的中性化特征。它不同于经典的男女之别的描写,超出了传统社会要求和限制,在外貌和性格等多方面有着女性男性化或者男性女性化倾向。体现在以下几个方面:一、外貌描写中性化。这主要体现在男性外貌描写上。男性不再是线条硬朗、浓眉大眼、高大有阳刚气质的固化形象,文弱纤瘦、文质彬彬、面容姣好的书生形象更被作者创造出来的人物所喜欢。二、性格软弱与坚强对比。作者既描绘了坚韧不拔,遇事条理清晰、稳重处理的女性;也描绘了柔弱退缩,遇事犹豫不决、惊惶无措的男性。三、家庭中主内与主外。作者创作出不理家事的男性,也创作出持家兴业的女性,打破了“男主外,女主内”的传统。四、个人德行与才华。不同于“女子无才便是德”的传统要求,德行与才华并重的女性和无德无才的男性在作品中都有所展现。
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源语言: -
目标语言: -
结果 (英语) 1: [复制]
复制成功!
Affected by various aspects, "Liao Zhai Zhi Yi" embodies the neutral characteristics of gender aesthetics when describing the characters. It is different from the classic descriptions of men and women. It exceeds the traditional social requirements and restrictions, and has a tendency to be masculine or masculine in many aspects such as appearance and personality. It is reflected in the following aspects: 1. Neutralization of appearance description. This is mainly reflected in the male appearance description. Men are no longer solidified images with strong lines, thick eyebrows and big eyes, and tall and masculine temperament. The image of scholars who are weak, thin, gentle, and with good looks is more liked by the characters created by the author. 2. Contrast between weak character and strong character. The author not only depicts women who are gritty and well-organized and dealt with steadily, but also men who are weak and retreat, hesitant and panicked. 3. Inside and outside the family. The author creates men who ignore family matters and women who make a family business, breaking the tradition of "outside the male lead, inside the female lead". 4. Personal virtue and talent. Different from the traditional requirement that "women are talented and virtuous", women who have equal virtue and talent and men without virtue and talent are shown in the works.
正在翻译中..
结果 (英语) 2:[复制]
复制成功!
Influenced by various aspects, "Chat Jai Zhizhi" reflects the gender aesthetic neutral characteristics in the description of the characters. It is different from the classic description of male and female, beyond the traditional social requirements and restrictions, in appearance and character and other aspects have female masculinity or male feminization tendency. Reflected in the following aspects: First, the appearance of the description of neutral. This is mainly reflected in the description of male appearance. Men are no longer the line of hard, big eyebrows, high masculinity temperament of the cured image, thin, polite, good-looking book image is created by the author like the characters. Second, the character is weak and strong contrast. The author depicts both a tough woman who is well-organized and steady in the event, and a weak, hesitant, frightened male. Third, the family inside and outside the home. The author creates men who ignore family affairs, and also creates women who hold their families, breaking the tradition of "outside the male, inside the woman". Fourth, personal virtue and talent. Unlike the traditional requirement that "women are talentless is virtue", both women who are equally talented and men who have no talent are shown in their works.
正在翻译中..
结果 (英语) 3:[复制]
复制成功!
Influenced by various aspects, Liaozhaizhiyi embodies the neutral characteristics of gender aesthetics in character description. It is different from the classical description of men and women, beyond the requirements and limitations of traditional society, in many aspects such as appearance and character, there is a tendency of female masculinity or male feminization. It is reflected in the following aspects: first, the description of appearance is neutral. This is mainly reflected in the description of male appearance. Male is no longer a rigid image with strong lines, thick eyebrows and big eyes, tall and masculine temperament. The image of a scholar who is weak, thin, gentle and good-looking is more liked by the characters created by the author. 2、 A contrast between weakness and strength. The author not only describes the women who are indomitable, organized and steady, but also describes the men who are weak and withdrawn, hesitant and scared. 3、 Inside and outside the family. The author creates men who do not care about their family affairs, but also women who run their own homes and businesses, breaking the tradition of "outside the male, inside the female". 4、 Personal virtue and talent. Different from the traditional requirement of "women without talent is virtue", women with equal emphasis on virtue and talent and men without virtue and talent are shown in the works.<br>
正在翻译中..
 
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