Before Robert Browning, there were many poets who wrote drama monologues, but unlike Robert Browning, the monologues in the background of the previous plot were more lyrical monologues, either talking to themselves or resembling the audience. To confess his own thoughts, the monologue cannot be interspersed in the storyline and jumps directly to the reader. In Robert Browning's work, the people in the play are confronted with the story in the play, and the monologue poems are generated from the whole story, allowing readers to experience the emotional experience that is not in the story through the monologue. Browning's monologue is more like an objective description, which is more conducive to the development of the story and more attractive to readers.
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