.茅盾在很多地方通过自然景物的描写来渲染气氛，衬托人物情绪的变化，借以

. Mao Dun renders the atmosphere through the depiction of natural scenes in many places to set off the changes in the characters 'emotions, thereby clearly displaying the characters' personality. He never writes scenes for scenes. He writes scenes for people. Sometimes it's based on the situation, sometimes it's the situation to write the situation, the situation blends, and the text is not false. For example, in Chapter 7 of "Midnight", when describing Wu Sunfu's mental state of internal and external difficulties, the author always accompanied the description of natural scenes: gray clouds, thunder, rain roar, dense fog, golden sun, green woods, piano rhyme Similar water droplets ... These symbolic colors and sound descriptions are in harmony with the characterization of the characters in the novel.

In many places, Mao Dun renders the atmosphere through the description of natural scenery, and complements the changes in the character's mood, so as to show the character of the character clearly. He is by no means writing scenes for the sake of writing, he writes scenes that is the reason for writing people. Sometimes is because of the situation, sometimes it is by the scene to write love, the scene blend, the text is full of writing. Such as "Midnight" Chapter VII in the description of Wu Weifu's diplomatic difficulties, the author has always accompanied the natural scene of the description: gray clouds, thunder, rain roaring, thick fog, golden sun, green woods, piano-like water droplets ... ... These symbolic colors and sounds of the description, and the novel's psychological portrayal of the characters are very harmonious.

In many places, Mao Dun uses the description of natural scenery to make up the atmosphere and set off the changes of the characters' emotions, so as to show the characters' characters clearly. He did not write for the sake of scenery. He wrote for the sake of people. Sometimes it's because of the situation, sometimes it's because of the situation. It's because of the combination of the situation and the scenery. For example, in Chapter 7 of midnight, when describing Wu Sun Fu's state of mind of internal and external difficulties, the author always accompanies the description of natural scenes: gray clouds, thunder, rain roar, thick fog, golden sun, green woods, Qin like drops of water... These descriptions of symbolic colors and sounds are very harmonious with the description of characters' psychology in the novel.