周雪，她以戏人物中花旦的女性入画，他追求的不是一味的写实，而是描绘戏曲

Zhou Xue, she enters the painting with Huadan women in the drama characters. What he pursues is not blind realism, but depicts the softest and moving side of the drama characters. His works have their own emotional colors and emotional touch. Her paintings are more Thoughtful, this kind of thought is the most concise overview of life, which is neither distorted nor pure and beautiful. In the "Beauty Story" series and "Rouge" series, these famous series of works are drawn on the paper with the soft and charming posture of the drama in the drama. Those women who wear gorgeous, beautifully embroidered, gorgeous makeup, It seems that in the Yiyi ah aria, where a look is fixed, it is soft and beautiful, it can be said that "thousands of times turn around to look forward to the passion, and the secluded feeling is wrapped around the finger." The "beauty" in Zhou Xue's pen is radiant, the picture is clean and clear, subtle and elegant, the female characters are condensed with delicate and beautiful, the composition is clever, the color is simple and elegant, each stroke is just right, there is no cumbersome picture burden, so that the viewer can see Easy and natural.

Zhou Xue, she is the character of the flower into the painting, he pursues is not a single-minded realism, but to depict the most soft and moving side of the opera character, his works have their own emotional color and emotional touch, her painting series more with the thought, this kind of thought is the most concise overview of life, neither distorted nor pure and beautiful. In the "Beauty" series and "Sebsi" series, these group series of works to the opera's image of the dan corner soft and charming posture on the paper, those wearing gorgeous, beautiful embroidery, rich makeup gorgeous female dress, it seems that in The Yi Ya singing paragraph a back to the grid where, soft and beautiful, can be described as "a thousand times looking forward to life, the claustrophobic feelings of the soft finger." Zhou Xue pen under the "beautiful" light, the picture presents clean and clear, subtle and elegant, female characters condensed delicate and aesthetic, composition clever, simple and elegant, each just right, no cumbersome picture cumbersome, so that the viewer to see the light and natural.

Zhou Xue, who painted with Huadan's female characters in the opera, pursues not only realism, but also the most gentle and moving side of the opera characters. His works have their own emotional color and emotional touch. Her paintings are more ideological. This idea is the most concise overview of life, which is not distorted and pure and beautiful. In the series of "beauty" and "carmine cardamom", these famous series of works are painted on the paper in the soft and charming posture of the Dan character in the opera. Those women who wear gorgeous, exquisite embroidery and rich makeup seem to be looking back and deciding where they are in the yiyaya aria, which is soft and moving. It can be said that "looking back and looking forward to life and feeling, you and feeling become soft around the fingers" 。 Zhou Xue's "beauty" is brilliant, the picture is clean and clear, subtle and elegant, the female role is condensed with delicacy and aestheticism, the composition is ingenious, the color is simple and elegant, each stroke is just right, there is no cumbersome picture, so that the audience can see it easily and naturally.<br>