Sennet was famous for his slapstick

Sennet是有名的，他打闹（闹剧）喜剧其中9个追逐。没有声音，视觉10好笑。它被认为是11做pratfall或得分靶心与“乌托邦式的脸”。喜剧<br>所需的运动天赋，12是它需要这么多的伟人之一。时代的伟人了商标。对于卓别林那是他的小流浪汉。13，他是第一个使用摄像头对他的幽默之一-凝视着它，并直接14给观众。<br>他的童年充满了15种贫困，正是这种贫困的，他将开发他16的“小人”。他用17童年创造自己的风格。这种风格是喜剧和闹剧的（N）18。它是19为“悲怆”，质量是惹人情绪，尤其同情或悲伤。它没有20多喜剧演员与拖船将在观众的心弦场景上色他们的表演。查理成为大师和电影等作为淘金，孩子，和城市之光被认为是只是原因珍品。

Sennet was famous for his slapstick(闹剧) comedies which 9 chases. With no sound, the visual 10 be funny. And it was considered 11 to do a pratfall or score a bull’s eye with a “pie-in-the-face”. Comedy<br>required athleticism, 12 to be one of the greats it required so much more. The greats of the era had trademarks. For Chaplin it was his Little Tramp. And 13 , he was one of the first to use the camera for his humor--staring into it and 14 directly to the audience.<br>His childhood was filled with 15 kind of poverty, And it was this poverty from which he would develop his 16 with the "little person". He used the 17 of that childhood to create his own style. This style was a(n) 18 of comedy and melodrama. And it is 19 as “pathos”, a quality that arouses emotions, especially pity or sorrow. It hadn't 20 to many comedians to color their performances with scenes that would tug at the audience's heartstrings. Charlie became the master and such films as The Gold Rush, The Kid, and City Lights are considered to be treasures for just that reason.

森内特以他的9部连续剧而闻名。没有声音，视觉10很有趣。人们认为11岁的人会胡闹，或者用“脸上的馅饼”来赢得靶心。喜剧片<br>需要运动能力，12岁成为一个伟大的它需要这么多。那个时代的伟人有商标。对卓别林来说，那是他的小流浪汉。13岁时，他是最早用相机来表现幽默的人之一——盯着镜头，14岁时直接对着观众。<br>他的童年充满了15种贫困，正是这种贫困，他才会与“小人物”一起发展自己的16种贫困。他用那个童年的17岁创造了自己的风格。这种风格是喜剧和情节剧的混合体。它是19作为“悲情”，一种品质，引起情绪，特别是怜悯或悲伤。没有20到20个喜剧演员能在他们的表演中加入吸引观众心弦的场景。查理成了大师，像淘金热、孩子和城市灯光这样的电影正是因为这个原因被认为是珍品。