荷兰画家伦勃朗的油画作品《戴金盔的男子》（附图2）中，肌理的绘画制作是

The Dutch artist Rembrandt's oil painting "The Man Wearing a Gold Helmet" (Figure 2), the texture of the painting is part of his creation. Most classical painters use their own blended white to make textures, <br>and then use transparent methods to draw up layer by layer. The sculpture-like feeling of the figure is <br>the relief effect that the painter thickly piled up with oil paint , and then the layers are covered with dye to make people have a strong sense of light, relief and metal. The texture of the golden helmet, the <br>veteran's vicissitudes of face, gives a mellow, dignified beauty. The sense of volume reflects the artist's psychological state with a pen, which is the real value of the work.

In the Dutch painter Rembrandt's oil painting "The Man wearing the Golden Helmet" (pictured 2), the texture of his painting is part of his creation. Most classical painters make their own texture shading in white,<br>Then layer by layer with transparent painting to draw up. The sculptural feeling of the characters is that the painter piles up with oil paint<br>the effect of the relief, and then layer edited to create a strong sense of light, embossed and metallic. The texture of the Golden Helmet,<br>The veteran's face is full of vicissitudes, giving people a beautiful, solemn beauty. The volume-rich pen reflects the painter's psychological state, which is the real value of the work.

In Rembrandt's oil painting "the man in the golden helmet" (Fig. 2), texture painting is a part of his creation. Most classical painters use their own blended white texture,<br>Then layer by layer, use transparent drawing method to draw upward. The feeling of figure sculpture is that the painter piled up thick oil paints<br>The relief effect, and then layers of cover dye make people have a strong sense of light, relief and metal. The texture of the golden helmet,<br>The veteran's face is full of vicissitudes, giving people a green and dignified beauty. The real value of a work lies in the fact that it reflects the painter's psychological state with a pen full of volume.<br>