随着时间走入21世纪的第21个年头，科技日新月异的发展不仅在改变着人们

As time enters the 21st year of the 21st century, the rapid development of technology is not only changing people's daily lives, but also affecting people's entertainment and viewing methods. The on-site appeal of theater art has become a frontier proposition that is highly valued in the current era. The “sense of presence” produced by “siteness” acting on the aesthetic community is the most important feature that distinguishes theater performances from other theater arts, and naturally deserves the attention and research of theater creators. <br>This article is based on this, through combing through the many practical attempts and theoretical studies that have been carried out in the past, and discussing how the current drama directors can better grasp the sense of scene in their creation.

With the 21st year of the 21st century, the rapid development of science and technology is not only changing people's daily life, but also affecting people's entertainment and viewing style. The live appeal of theater art has become one of the most important frontier propositions in the modern era. As the most important characteristic of distinguishing drama performance from other performing arts, "liveness" plays on aesthetic groups should be paid attention to and studied by drama creators.<br> On this basis, through combing through the past many practice attempts and theoretical research, to explore the current drama directors in the creation of how to better grasp the sense of the scene.

As time goes into the 21st century, the rapid development of science and technology is not only changing people's daily life, but also affecting people's entertainment. The on-the-spot appeal of theater art has become a major forward proposition in the current era. As the most important feature to distinguish drama performance from other performing arts, the "sense of scene" produced by the action of "Scene" on aesthetic groups naturally deserves the attention and research of drama creators.<br>On this basis, this paper discusses how to better grasp the sense of scene in the creation of contemporary drama directors by combing many practical attempts and theoretical studies in the past.<br>