(1)隋朝到唐朝初阶段观音造型面部丰圆适中,方额突出,依然以男性形象为主,但开始逐渐演化出女性形象,发冠样式有低花瓣式、高发髻,宝冠上还有双的英语翻译

(1)隋朝到唐朝初阶段观音造型面部丰圆适中,方额突出,依然以男性形象为

(1)隋朝到唐朝初阶段观音造型面部丰圆适中,方额突出,依然以男性形象为主,但开始逐渐演化出女性形象,发冠样式有低花瓣式、高发髻,宝冠上还有双带下飘,身上的璎珞精细复杂,有的代替披帛,有的披帛仍至脚部再交叉上卷,有的披帛还由两肩下垂横于胸腹之间两道,但是仍可以看出裙带如绅的样子,这时雕刻技法也由南北朝晚期的直平刀法发展为向下凹入的新圆刀法来表现衣纹。
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源语言: -
目标语言: -
结果 (英语) 1: [复制]
复制成功!
(1) From the Sui Dynasty to the early stage of the Tang Dynasty, Guanyin had a moderately round face and a prominent square forehead. It was still mainly male, but began to evolve into a female image. Hair crown styles include low petals, high hair buns, and double crowns. Bring it down, the enamels on the body are intricate and intricate. Some replace the drape, and some drapes are still crossed and rolled up to the feet, and some drapes hang from the shoulders across the chest and abdomen, but they can still Seeing that the skirt looks like a gentleman, the carving technique at this time has also developed from the straight flat knife method in the late Southern and Northern Dynasties to the new concave downward round knife method to express clothing patterns.
正在翻译中..
结果 (英语) 2:[复制]
复制成功!
(1) The Tang Dynasty to the early stage of the Tang Dynasty guanyin shape face round moderate, square amount prominent, still male image-based, but began to gradually evolve the female image, hair crown style has low petal style, high hair, the crown also has a double belt floating, the body of the fine complexity, some instead of the shawl, some of the shawl still to the foot and then cross the upper roll, some of the shawl sling sling sling edirated by the two shoulders At this time, the carving technique also developed from the north-south straight-level knife method to the new round knife method that is recessed down to show the pattern.
正在翻译中..
结果 (英语) 3:[复制]
复制成功!
(1) From the Sui Dynasty to the early Tang Dynasty, Guanyin's face was plump and moderate, with prominent square forehead, and it was still dominated by male images. However, it gradually evolved into female images. The styles of hair crowns include low petal style and high bun, and there are also double belts floating down on the crown. The ornaments on the body are delicate and complex. Some replace the silk, some still cross and roll up to the feet, and some drape the silk from both shoulders There are two lines between the chest and abdomen, but you can still see that the skirt looks like a gentry. At this time, the carving technique also developed from the straight flat knife method in the late Northern and Southern Dynasties to the new round knife technique with concave downward to express the clothing patterns.<br>
正在翻译中..
 
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