“规定情境”是演员塑造角色的基础和前提，演员如果离开了“规定情境”，那

“规定情境”是演员塑造角色的基础和前提，演员如果离开了“规定情境”，那么剧中人物形象的塑造、演员一系列的舞台行动、对剧本主题的表达也就失去了可靠的依据。可以说，“规定情境”制约着人物的舞台行动，是演员深入认识角色并且表现角色的必经之路。而反过来说，规定情境的不断变化又使得舞台行动随规定情境的不断变化而变化。而且还可以做到最⼤化地地展现演出⼈物性格,促进演员舞台与现场戏剧间的演出更为⽣动与圆满,本⽂据此对⼀个演员戏剧创作中各种规定⻆⾊情境的具体运法进⾏本篇论⽂的深入论述。<br> 

“规定情境”是演员塑造角色的基础和前提，演员如果离开了“规定情境”，那么剧中人物形象的塑造、演员一系列的舞台行动、对剧本主题的表达也就失去了可靠的依据。 可以说，“规定情境”制约着人物的舞台行动，是演员深入认识角色并且表现角色的必经之路。 而反过来说，规定情境的不断变化又使得舞台行动随规定情境的不断变化而变化。 而且还可以做到最⼤化地地展现演出⼈物性格,促进演员舞台与现场戏剧间的演出更为⽣动与圆满,本⽂据此对⼀个演员戏剧创作中各种规定⻆⾊情境的具体运法进⾏本篇论⽂的深入论述。<br> 

"Prescribed situation" is the basis and premise for actors to shape their roles. If actors leave the "prescribed situation", the shaping of characters, a series of stage actions and the expression of the theme of the play will lose their reliable basis. It can be said that "prescribed situation" restricts the character's stage action, which is the only way for actors to deeply understand the role and perform the role. On the other hand, the constant change of the prescribed situation makes the stage action change with the constant change of the prescribed situation. Moreover, it can also show the character of the performance and promote the performance between the stage and the live drama to be more dynamic and perfect. Based on this, this paper discusses the specific operation of various regulations and situations in the drama creation of each actor.<br>