褚遂良《雁塔圣教序》最大特点就是曲笔的运用，他的楷书虽在欧、虞二人用笔

The most important feature of Chu Suiliang's Preface to Yanta Shengjiao is the use of Qu pens. Although his regular script is above the pens used by Ou and Yu, he broke the straight and even pen in the regular scripts of the Tang Dynasty It is an ups and downs, rich and dynamic quill. A large number of pens are used in the "Preface to Yanta Shengjiao" to make the straight lines slightly curved, making the lines free from the rigidity of regular script. The use of straight pens will give people a stiff sense of rigidity, but if all line strokes are curved, it will also be counterproductive, giving a soft and feeble feeling. Although there are a lot of pens used, it gives a visually chaotic feeling. The excessively exaggerated radian lines can't bring the beauty of the spirit, but it is a little more rigid and stiff. It is far from Chu Suiliang's ethereal and vigorous and Fengshen's outstanding style of writing, which I did not expect. The writing method with the meaning of writing after the loosening of the regular script in the Preface of Yanta Shengjiao comes from Chu Suiliang's dumping and pursuit of Wang Xizhi, as well as from the candlelight and resonance of Chu Suiliang's consciousness of life and Wang Xi's lines, which made me Encountered difficulties in the creation.

The greatest feature of Yu Suiliang's "Sacred Order of the Tower" is the use of the pen, although his model book in Europe, Yu two people with pen, but broke the Tang Dynasty model book straight, even lying pen, into the ups and downs, change rich and dynamic pen. Its "The Order of the Church of the Tower" uses a large number of pens, the original straight lines become micro-curve, so that the line out of the book's rigid. The use of straight pen will give people a dull and rigid feeling, but all the line strokes are written words, the same will be counterproductive, giving a feeling of soft and weak. Although there are a lot of pen use, but in the visual give people a sense of chaos. Exaggerated arc lines, can not give people to bring the beauty of the spirit but a little more rigid, and the good spirit of the spirit, the wind god excellent book style is far away, this is what I did not think. The penwork with the meaning of writing after the loosening of the method in "The Holy Order of the Tower" is the dumping and pursuit of Wang Qiliang from Yu Suiliang, and also the candle light and resonance of the life of Yu Suiliang and the line of Wang Qi, so that I have encountered difficulties in my creation.

Chu suiliang's preface of Yanta holy religion is characterized by the use of Qubi. Although his regular script was used by the two people, he broke the straight and even use of the pen in the regular script of Tang Dynasty, and became a song pen with the features of Yan Yang ups and downs, rich changes and full of movement. In the preface to Yanta holy religion, a large number of Qubi were used to change the straight lines into micro curves, which made the lines get rid of the inflexibility of regular script. The use of pen will give people a sense of rigidity, but if all the lines and strokes are curved pens, it will also backfire and give people a sense of weakness. Although there are a lot of Qubi use, but in the visual give a sense of chaos. The exaggerated arc lines can't bring the beauty of flexibility to people. Instead, they are a little more rigid and rigid, which is far from Chu suiliang's excellent style of writing, which I didn't expect. In the preface of Yanta Shengjiao, the loose regular script with running script is not only from Chu suiliang's fall and pursuit of Wang Xizhi, but also from Chu suiliang's consciousness of life and Wang Xizhi's line lighting and resonance, which makes me encounter difficulties in my creation.