The analytic process begins with the recognition that images and stories of nature and society are always multiple and refl ective of broader cultural preoccupations . We will see, for instance, that the Lost Tribe story is often less about indigenous peoples than it is about the losses that a contemporary civilization sees itself as suffering. The very term “tribe” (as opposed to, say, “native group” or “indigenous community”) conjures up a kind of close-knit intimacy hard to fi nd in a globalizing world