尤其是他的《奔马》潦草数笔，意气风发的一匹骏马便跃然纸上，画面中的奔马

In particular, his "Running Horse" is scribbled, and a full-spirited horse is on the paper. The galloping horse in the picture is strong, head and hoof lifted, and it rises into the air, very vivid. Xu Beihong's horse painting boldly breaks through the shackles of traditional pen and ink. He adopts the decent, light and dark block modeling method in Western painting, combines with traditional line drawing techniques, and at the same time absorbs the traditional boneless method, and indulges with freehand brushwork. Sway. A large piece of gray ink poses the posture of a horse, and the main muscles and bones of the limbs are written in a few hard and soft brushes. The thick ink points the facial features and the burnt ink sweeps the tail. In his depiction, he not only paid full attention to the rhythm and rhythm of traditional brushwork, such as lightness and severity, rapidness, dryness and density, and density.

In particular, his "Run horse" scrawled a few pens, the mood of a horse will leap on paper, the picture of the horse body strong, high-head hoof, up, very vivid. Xu Shihong's painting horse boldly broke through the traditional ink and ink bondage, he used the Western painting in the decent, light and dark block modeling method, combined with the traditional line-drawing techniques, while absorbing the traditional bone-free method, to write the pen indulgence. Large pieces of gray ink out of the horse's body, just a few gentle pen to write the main bone of the limbs, thick ink point five officials, scorched ink sweep tail. In his description, not only fully pay attention to the traditional pen and ink light and heavy, dry and thick, dense and scattered rhythmic rhythm

尤其是他的《奔马》潦草数笔，意气风发的一匹骏马便跃然纸上，画面中的奔马体魄强健，昂首提蹄，腾空而起，十分生动。徐悲鸿的画马大胆地突破了传统笔墨的束缚,他采用西方绘画中体面、明暗分块造型的方法,与传统的线描技法相结合,同时又吸收传统的没骨法,以写意的垛笔纵情挥洒。大块的灰墨摆出马的体态,刚柔兼济的几笔写出四肢的主要肌骨,浓墨点五官,焦墨扫鬣尾。在他的这种描绘中,不仅充分注意到传统笔墨轻重疾徐、枯湿浓淡、疏密聚散的节奏韵律<br>