摘 要 秦腔打击乐是秦腔艺术不可或缺的一个重要组成部分，它历史悠久、源

摘 要 <br>秦腔打击乐是秦腔艺术不可或缺的一个重要组成部分，它历史悠久、源远流长，经历了一代又一代先辈们的实践探索，自成体系。但是，随着社会的进步和教育方式的不断变化，如何传承好秦腔打击乐艺术，是我们每名艺术院校秦腔打击乐教师应深入思考的问题。根据个人多年从业经验和近年艺术教学实践，我认为：基本功的规范、演奏心理素养、一对一辅导、教师综合素质、学生文化素养等问题，尤为重要，所谓的“速成班”、“走捷径”均不可取。

摘 要 <br>秦腔打击乐是秦腔艺术不可或缺的一个重要组成部分，它历史悠久、源远流长，经历了一代又一代先辈们的实践探索，自成体系。 但是，随着社会的进步和教育方式的不断变化，如何传承好秦腔打击乐艺术，是我们每名艺术院校秦腔打击乐教师应深入思考的问题。 根据个人多年从业经验和近年艺术教学实践，我认为：基本功的规范、演奏心理素养、一对一辅导、教师综合素质、学生文化素养等问题，尤为重要，所谓的“速成班”、“走捷径”均不可取。

Abstract<br>Percussion music of Qin opera is an indispensable part of Qin opera art. It has a long history and a long history. It has experienced the practice and exploration of generations of ancestors and formed its own system. However, with the development of society and the constant change of educational methods, how to inherit the art of Qin opera percussion is a problem that every art college Qin opera percussion teacher should think deeply. According to my many years of working experience and recent art teaching practice, I think: the standardization of basic skills, performance psychological quality, one-to-one guidance, teachers' comprehensive quality, students' cultural quality and other issues are particularly important. The so-called "accelerated class" and "shortcut" are not desirable.<br>