I think that it is closely connected to it. And if you look at the more “gutsy” architects, for example, Jacques Herzog and Renzo Piano, they now openly talk about beauty. But you know, I spent two months in Rome last year, and so many of the regular 19th and 20th century Roman buildings — they seem to be able to work in any stage of decay! They work when they're newly renovated, but they also work when they are full of graffiti, and they work when they are almost falling down. They're built so that any stage they are in, they seem to uphold a quite pleasing aesthetic. If your design is not able to age by its design, then it's not able to have any patina.
I think that it is closely connected to it. And if you look at the more “gutsy” architects, for example, Jacques Herzog and Renzo Piano, they now openly talk about beauty. But you know, I spent two months in Rome last year, and so many of the regular 19th and 20th century Roman buildings — they seem to be able to work in any stage of decay! They work when they're newly renovated, but they also work when they are full of graffiti, and they work when they are almost falling down. They're built so that any stage they are in, they seem to uphold a quite pleasing aesthetic. If your design is not able to age by its design, then it's not able to have any patina.
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