Contained in these intricate and hy

这些复杂的，假想的重建的阿里斯托勒论据中包含着所有后来关于诗歌与非诗歌之间界限的争论的前提。在希腊时期，由于诗歌与演说艺术之间的亲近和相互影响，情况变得更加复杂。在中世纪，它们之间的距离越来越远，越来越疏远：诗学从属于修辞学（但丁将诗歌定义为“音乐中的修辞学”）。同时，现实领域和文学领域之间的界限消失了。Res fictae和res gestae被视为诗歌的平等主题

Contained in these intricate and hypothetically reconstructed Aris¬totelian arguments are the premises of all later controversies concerning the borderline between poetry and nonpoetry. During the Hellenic period the situation was to become even more complex as a result of greater proximity and mutual influence between poetry and oratorical art. In the Middle Ages they became further and more permanently estranged: poetics became subordinated to rhetoric (Dante defined poetry as “fictio rhetorica in musica posita”); at the same time the border between the area of reality and the area of fiction in literature disappeared. Res fictae and res gestae were considered equally subjects of poetry ...

包含在这些复杂和假设重建的阿里斯图腾式论点中，是所有后来关于诗歌与非诗歌边界的争论的前提。在希腊时期，由于诗歌和演说家艺术的更接近和相互影响，情况变得更加复杂。在中世纪，他们变得越来越永久地疏远：诗学从属于修辞学（但丁将诗歌定义为“音乐中的虚拟修辞学”）；同时，现实领域和文学中的小说领域之间的边界消失了。费塞和盖世被认为是诗歌的平等主题