在余秋雨先生的《文化苦旅》中，也有这么一个群体，他们势单力孤，被社会不

在余秋雨先生的《文化苦旅》中，也有这么一个群体，他们势单力孤，被社会不公正的礼俗压抑着，却不甘这压抑，他们坚持着自己的信仰，自己的志向，用生命发出自己弱小却坚定的声音。《牌坊》中住在小乡间的庙宇里几个外地女教师，在她们读诗的声音中，在占了整个尼姑庵的四分之一的大花圃里，在屋梁上藏着的一叠绣品中，传出的振聋发聩呐喊。如果说《牌坊》里的抗争只是一圈小小的涟漪，那么《西湖梦》中白娘子的抗争，可谓是惊天地、泣鬼神了。白娘娘只有一个平凡而灿烂的理想：只愿做一个普普通通的人，法海逼白娘娘回归于妖，天庭劝白娘娘上升为仙，而她却拼着生命大声呼喊：人!人!人!

在余秋雨先生的《文化苦旅》中，也有这么一个群体，他们势单力孤，被社会不公正的礼俗压抑着，却不甘这压抑，他们坚持着自己的信仰，自己的志向，用生命发出自己弱小却坚定的声音。 《牌坊》中住在小乡间的庙宇里几个外地女教师，在她们读诗的声音中，在占了整个尼姑庵的四分之一的大花圃里，在屋梁上藏着的一叠绣品中，传出的振聋发聩呐喊。 如果说《牌坊》里的抗争只是一圈小小的涟漪，那么《西湖梦》中白娘子的抗争，可谓是惊天地、泣鬼神了。 白娘娘只有一个平凡而灿烂的理想：只愿做一个普普通通的人，法海逼白娘娘回归于妖，天庭劝白娘娘上升为仙，而她却拼着生命大声呼喊：人!人!人!

In Mr. Yu Qiuyu's "cultural journey", there is also such a group. They are isolated and oppressed by the unfair social etiquette and customs, but they are unwilling to be oppressed. They adhere to their beliefs and aspirations, and use their lives to make their weak but firm voices. In the memorial archway, several female teachers from other places living in the temples in the small countryside, in their voices of poetry reading, in the big flower bed which accounts for a quarter of the whole nunnery, in a pile of embroidery hidden on the roof beam, came out the deafening cry. If the struggle in the memorial archway is just a small circle of ripples, then the white lady's struggle in the dream of the West Lake can be said to be shocking and haunting. Bai Niang has only one ordinary and brilliant ideal: she only wants to be a common person, Fahai forces Bai Niang to return to the demon, Tianting persuades Bai Niang to become an immortal, but she is fighting for her life and shouting: people! People! People!<br>