Adjust the amplifiers sensitivity l

Adjust the amplifiers sensitivity level at the minimum (3-4V RMS).b) Balance the emission level of the system channels by moving the cursors (2) paying attention to maintain amid level centred at around -20 dB. Turn the output volume to an acceptable listening volume level.c) Set the desired output equalizations (see section 9.11) .d) Insert a CD playing a highly dynamic track.e) Select the “Link” function (5), move the cursor and increase the output channels level until one of the“clipping” LEDs turns on (1); move the cursor back of at least 2-3 dB (check the value on one of the displays (3).f) Increase the “Master Volume” (6) up to the maximum undistorted level taking it close to “0” dB.g) In case the signal is highly distorted with the “Master Volume” at “0” dB, you will have to decrease the outputlevels (2). If, on the contrary, no distortion occurs, you will have to increase the amplifiers’ sensitivity until thefirst distortion symptoms show: by doing this, you will make the most of all the available power.WARNING: the output level adjustment (2) affects the system signal / noise ratio (whistle / background hiss).We recommend that you always set the bit One output level at high level and the amplifiers’ sensitivity at lowlevel, so the amplifiers will be less affected by noises / background hisses.Unfortunately, a too high output level makes the clipping LED’s turn on (1), especially if equalizations with highgain are applied. Therefore we recommend that you proceed as follows:Remark: This procedure leads you to set the system at “zero dB undistorted”. This is not always the best solution,since, if you listen to a track that has been registered at a lower level or with lower dynamics than the track used forthe setup, a loss in dynamics may happen. So a good compromise needs to be found, depending on the listener.