余秋雨先生的《文化苦旅》在语言上的特点是平淡蕴藉，这也是其创作特色之一

余秋雨先生的《文化苦旅》在语言上的特点是平淡蕴借，这也是其创作特色之一。平淡自然是文学语言上的追求，梅尧臣就曾经说过“作诗无古今，唯造平淡雅”。《文化苦旅》如果从语言层面进行分析就充分体现了其平淡蕴借的语言特色。例如在《白发苏州》中作者这样写道：“苏州是我常去之地。海内美景多得是，唯苏州，能给我一种真正的休憩。柔婉的语言。姣好的面容，精雅的园林，幽深的街道，处处给人感官上的宁静和慰藉。”短短的语句中对事物的描述娓娓道来，虽平淡但又可以感受到一种流畅的气势，同时还耐人寻味。另外在《夜雨诗意》中，作者写道：“ 光听着窗外夜色中时紧时疏的雨声，便满心都会贮足了诗。要说美，也没有什么美，屋外的路泥泞难走，院中的花零落不堪，夜行的旅人浑身湿透。”寥寥几行话语却在平淡中体现出了一种浓浓的诗意，读罢这些语句，读者脑海中会浮现出夜雨沾衣、落花凋零的诗化画面。这就是其语言所具有的魅力——在平淡中蕴含无限诗意，在蕴借中包含无限美感。

余秋雨先生的《文化苦旅》在语言上的特点是平淡蕴藉，这也是其创作特色之一。 平淡自然是文学语言上的追求，梅尧臣就曾经说过“作诗无古今，唯造平淡雅”。 《文化苦旅》如果从语言层面进行分析就充分体现了其平淡蕴藉的语言特色。 例如在《白发苏州》中作者这样写道：“苏州是我常去之地。 海内美景多得是，唯苏州，能给我一种真正的休憩。 柔婉的语言。 姣好的面容，精雅的园林，幽深的街道，处处给人感官上的宁静和慰藉。 ”短短的语句中对事物的描述娓娓道来，虽平淡但又可以感受到一种流畅的气势，同时还耐人寻味。 另外在《夜雨诗意》中，作者写道：“ 光听着窗外夜色中时紧时疏的雨声，便满心都会贮足了诗。 要说美，也没有什么美，屋外的路泥泞难走，院中的花零落不堪，夜行的旅人浑身湿透。 ”寥寥几行话语却在平淡中体现出了一种浓浓的诗意，读罢这些语句，读者脑海中会浮现出夜雨沾衣、落花凋零的诗化画面。 这就是其语言所具有的魅力——在平淡中蕴含无限诗意，在蕴藉中包含无限美感。

Yu Qiuyu's "cultural journey" is characterized by its bland implication in language, which is also one of its creative features. Plain nature is the pursuit of literary language. Mei Yaochen once said, "there is no ancient and modern poetry, only plain and elegant." If the cultural journey is analyzed from the linguistic level, it fully embodies its plain and implied linguistic features. For example, in "white hair Suzhou", the author wrote: "Suzhou is the place I often go. There are many beautiful sceneries in the sea. Only Suzhou can give me a real rest. Soft language. A good face, a fine garden and a deep street give you a sense of peace and comfort. " The description of things in a short sentence is plain, but it can feel a smooth momentum, and it is also intriguing. In the poem of the rain at night, the author wrote: "listening to the occasional rain outside the window, you will be full of poetry. To say beauty, there is no beauty. The road outside the house is muddy and hard to walk. The flowers in the yard are scattered, and the night travelers are drenched. " A few lines of words reflect a strong poetic flavor in the plainness. After reading these sentences, readers will come up with a poetic picture of night rain stained with clothes and falling flowers withering. This is the charm of his language, which contains infinite poetry in plainness and infinite beauty in implication.<br>