在Atana Huyat逃离追捕的场景中，导演更喜欢用中镜头和长镜头来

在Atana Huyat逃离追捕的场景中，导演更喜欢用中镜头和长镜头来展现人物的全身运动。为了和整个故事背景贴合，体现更多的因纽特人的生活习惯以及日常动作，导演Zacharias Kunuk选择类似纪录片的拍摄手法，注重环境以及人物动作。同时，这部电影将重心放在外景来表现画面，如大雪，因纽特人居住的环境特点之一。

In the scene of atana huyat escaping from the chase, the director prefers to use medium and long shots to show the character's whole body movement. In order to fit the background of the whole story and reflect more Inuit people's living habits and daily actions, director Zacharias kunuk chose shooting methods similar to documentaries, focusing on the environment and character actions. At the same time, the film will focus on the location to show the picture, such as heavy snow, one of the environmental characteristics of Inuit living.

In the scene where Atana Huyat escapes from the chase, the director prefers to show the whole body movements of the characters with medium and long shots. In order to fit the whole story background and reflect more Inuit people's living habits and daily actions, director Zacharias Kunuk chose documentary-like shooting techniques, paying attention to the environment and characters' actions. At the same time, the film focuses on exterior scenes to show pictures, such as heavy snow, which is one of the characteristics of Inuit living environment.