初读《文化苦旅》,便被余秋雨先生的语言艺术所折服。《文化苦旅》中所展现

初读《文化苦旅》,便被余秋雨先生的语言艺术所折服。《文化苦旅》中所展现的深厚文化功底，断句、组词、直述，文字的描绘风格深深的吸引了我。如《沙原隐泉》中，他用一种精炼幽默的风格写下：“沙漠中也会有路的，但这儿没有。远远看去，有几行歪歪扭扭的脚印。顺着脚印走罢，但不行，被人踩过的地方，反而松得难走。只能用自己的脚，去走一条路。回头一看，为自己长长的脚印高兴。不知这行脚印，能保存多久？”语言精炼有趣，组词断句新颖，每读一次的感受都又不一样。有段时间，不论课堂的作文，自己的日记，还是别的什么文字，我都会不由自主的模仿余秋雨先生写作的风格，乐此不疲。

初读《文化苦旅》,便被余秋雨先生的语言艺术所折服。 《文化苦旅》中所展现的深厚文化功底，断句、组词、直述，文字的描绘风格深深的吸引了我。 如《沙原隐泉》中，他用一种精炼幽默的风格写下：“沙漠中也会有路的，但这儿没有。 远远看去，有几行歪歪扭扭的脚印。 顺着脚印走罢，但不行，被人踩过的地方，反而松得难走。 只能用自己的脚，去走一条路。 回头一看，为自己长长的脚印高兴。 不知这行脚印，能保存多久？ ”语言精炼有趣，组词断句新颖，每读一次的感受都又不一样。 有段时间，不论课堂的作文，自己的日记，还是别的什么文字，我都会不由自主的模仿余秋雨先生写作的风格，乐此不疲。

In his first reading of cultural journey, he was overwhelmed by Mr. Yu Qiuyu's language art. The deep cultural foundation, sentence breaking, word formation, direct narration and the description style of the characters in cultural journey attracted me deeply. For example, in the hidden spring of Shayuan, he wrote in a refined and humorous style: "there will be a way in the desert, but there is no way here. From a distance, there are several lines of crooked footprints. Follow the footprints, but no way. It's hard to walk where people have stepped on it. You can only walk one way with your own feet. Look back and be happy with your long footprints. I don't know how long this line of footprints can be kept? " The language is concise and interesting, the words and sentences are novel, and the feeling of each reading is different. There was a time when I could not help imitating the style of Mr. Yu Qiuyu's writing, no matter the composition in class, my diary or other words.<br>