The materiality of the material in the mural makes the communication between the audience standing in front of the mural direct and smooth, and since the material composition does not contain moral direction, the communication can be carried out without any forced pressure. The material in the comprehensive material mural becomes the intermediary of communication, however it is not used to interpret the symbol of the world, but a function, this function is to open up a world, not to translate a world. The simple "things" avoid the thought, and the narrative of the traditional frescoes have a sharp contrast, in the transformation of the traditional frescoes to the modern frescoes, the function of "carrying the road" is silently dissolved in the character of the material.
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