Where complex and innovative building designs are involved there is an的简体中文翻译

Where complex and innovative buildi

Where complex and innovative building designs are involved there is an inherent need for collaborative and innovative problem solving amongst project participants. In turn, often there is no single driver or individual beneficiary of the innovations required as outcomes benefit the whole project team. The new Frank Gehry building for an Australian University [name omitted] offers a useful case in point. Its complexity is apparent in its radical shape: the floor plates have curvilinear edges resembling the shape of an amoeba while the same random curves also apply vertically over the full fac¸ade height of this 13 storey building (Forsythe, 2015). These complex three-dimensional undulations are sheathed in traditional clay brickwork, a material not really suited to such distortion. In turn, large expanses of the brick skin are corbelled ranging from convex to concave shapes as well as undulating laterally
and vertically to produce fissures and crevices intersected by glass curtain walls. This use of brickwork is unique both to this building and within Frank Gehry’s existing oeuvre and, consequently, the project team had no prior experience to draw upon.
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Where complex and innovative building designs are involved there is an inherent need for collaborative and innovative problem solving amongst project participants. In turn, often there is no single driver or individual beneficiary of the innovations required as outcomes benefit the whole project team. The new Frank Gehry building for an Australian University [name omitted] offers a useful case in point. Its complexity is apparent in its radical shape: the floor plates have curvilinear edges resembling the shape of an amoeba while the same random curves also apply vertically over the full fac¸ade height of this 13 storey building (Forsythe, 2015). These complex three-dimensional undulations are sheathed in traditional clay brickwork, a material not really suited to such distortion. In turn, large expanses of the brick skin are corbelled ranging from convex to concave shapes as well as undulating laterally<br>和垂直方向上,以产生由玻璃幕墙相交音响ssures和裂缝。这种使用砖砌的是唯一既这座大楼并在弗兰克·盖里现有的作品,因此,项目小组有没有现成的经验可资借鉴。
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在涉及复杂和创新的建筑设计时,项目参与者之间就必然需要协作和创新的问题解决。反过来,由于结果使整个项目团队受益,因此创新往往没有单一驱动因素或个人受益人。澳大利亚大学(名称省略)的新弗兰克·盖里大楼提供了一个有用的例子。其复杂性在激进的形状上是显而易见的:地板具有类似于阿米巴形状的曲线,而相同的随机曲线也垂直应用于这座 13 层建筑的全高度(Forsythe,2015)。这些复杂的三维波动在传统的粘土砖砌件中,这种材料并不适合这种变形。反过来,大块的砖皮被剥去,从凸到凹的形状,以及横向起伏<br>垂直产生由玻璃幕墙相交的裂缝和裂缝。这种砖砌的使用对于这座建筑和弗兰克·盖里现有的建筑都是独一无二的,因此,项目团队没有以往的经验可借鉴。
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在涉及复杂和创新的建筑设计的地方,项目参与者之间存在着合作和创新问题解决的内在需求。反过来,通常没有单一的驱动力或个人利益的创新所需的成果受益于整个项目团队。澳大利亚一所大学的新法兰克盖里大楼[名字省略]提供了一个有用的例子。它的复杂性在其激进的形状是显而易见的:O-Oor板具有类似于阿米巴形状的曲线边缘,而相同的随机曲线也垂直地应用在这13层楼(FordSee,2015)的全FAC高度。这些复杂的三维起伏覆盖在传统的粘土砖结构中,这种材料不太适合这种变形。反过来,大量的砖皮被牛腿支撑,从凸凹形状到横向起伏。<br>并垂直地产生与玻璃幕墙相交的褶皱和缝隙。砖砌体的使用对这个建筑和Frank Gehry的现存作品都是独一无二的,因此,项目团队没有先前的经验可以借鉴。<br>
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