现今随着计算机技术的迅速发展，人们在艺术领域也能选择更多的创作手段和传

Nowadays, with the rapid development of computer technology, people can also choose more creative methods and communication methods in the art field. They can achieve their artistic expression and ideals by "playing around" with various hardware and software. Contemporary digital video artists usually choose different perspectives as inspiration or starting point from different perspectives such as sense, space, communication mode, and interaction mode when they carry out comprehensive design of their works, and these perspectives cannot avoid visual and auditory design. How to fully integrate video and music, that is, how to combine vision and hearing as the high-level aesthetic senses of human beings, is a problem that we often pay attention to when doing audio-visual art works. At the beginning of this article, I will trace some typical artists of modern art from the perspective of the picture in music and the sense of music in painting, briefly describe their understanding of the relationship between sound and painting, and how they are applied in their own art. , From the synesthesia aspect, briefly talk about the psychological commonality between sound and visual performance, and then from the performance of emotions and emotions-"color and music", shape the image and express ideas-melody and "form", music and vision The "rhythm" in music and the "texture" in music and vision start with a few points, focusing on the analysis of the characteristics of the basic elements of vision and music in digital video art and exploring the mapping relationship between them. Finally, combining the specific cases of sound visualization works in film art, space digital video art, stage art and installation art, the application of the relationship between sound and picture in digital video art is analyzed.

Nowadays, with the rapid development of computer technology, people can also choose more creative means and communication methods in the field of art, they can "play around" all kinds of hardware and software, to achieve their artistic expression and ideals. Contemporary digital image artists often choose to take different angles as inspiration or starting point from different angles such as senses, space, mode of communication, and interaction mode, which avoid visual and auditory design. How to fully integrate images with music, that is, how to make the visual and auditory of the advanced aesthetic senses of human beings, is a problem that we often pay attention to in the current audio-visual works of art. This article begins with a brief review of the typical artists of modern art from the perspectives of the sense of the picture and the musical sense of the painting, briefly describes their understanding of the relationship between the sounds and diaphonies, and how they apply it to their own art fields, and then simply talks about the psychological commonality between sound and visual expression from the perspective of the joint sense, and then from the expression of emotion and emotion - "color and music", shaping image and expression of thought - melody and "shape", music and visual "rhythm" in music and vision. These points begin to analyze the characteristics of the visual and musical basic elements in digital image art, and explore the mapping relationship between them. Finally, combined with the specific cases of sound visualization works in film art, spatial digital image art, stage art and installation art, the application of phonetic relationship in digital image art is analyzed.

Nowadays, with the rapid development of computer technology, people can choose more means of creation and communication in the field of art. They can achieve their artistic expression and ideal by "playing" with various software and hardware. When the contemporary digital image artists carry out the comprehensive design of their works, they usually choose different angles such as senses, space, communication mode and interaction mode as inspiration or starting point, which can not avoid the design of vision and hearing. How to fully integrate image and music, that is to say, how to combine vision and hearing as human's advanced aesthetic sense, is a problem we often pay attention to when we do audio-visual works of art. At the beginning of this paper, we will trace back to several typical artists of modern art from the perspective of the sense of picture in music and the sense of music in painting, briefly describe their understanding of the relationship between music and painting, and how to apply it in their own art field, then briefly discuss the psychological commonness between sound and visual expression from the perspective of synesthesia, and then from the perspective of expressing emotion and emotion - "color" With music, shaping image and expressing ideas -- melody and shape, rhythm in music and vision, and texture in music and vision, this paper focuses on the analysis of the characteristics of the basic elements of vision and music in digital image art, and probes into the mapping relationship between them. At last, it analyzes the application of the relationship between sound and painting in digital image art by combining the specific cases of visual sound works in film art, spatial digital image art, stage art and installation art.