Yes, the sky is too bright, and I want to make the clouds rich in detail by burning the sky with precision, I used Litho Film burn mask, so that the sky darkened but the details of the clouds were gone, and I tried it again at Litho Film Burn The original negatives and diffuses below the mask increase the exposure time to the sky, so that the details of the clouds are visible, but the mountain and the sky are handed off with obvious traces, even though I carefully bleach the edge of the Litho Film burn mask mountain to feather it. This situation has always puzzled me, especially when it comes to the need for a lot of local exposure to the bright part with details. So I often use photographic film to make a denser CRM, increase the density of the dark and middle part, because the contrast between the photographic film is small, often do not need the density of the highlight part will also increase, the purpose is to increase the overall exposure so that the dark part and the middle part is not affected so that the highlight part darkened. With Litho Film due to the contrast is large, but the middle part density is not as large as the photofilm production of CRM, which increases the overall exposure time in the middle part and the highlight part at the same time darkened. I partially bleached the high-density CRM made of photographic film to remove unwanted density, but there were still edge marks when printing.
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