新工笔” 呈现的“新”面貌，主要是艺术观念和表现方式的转变。表现这类工

The "new" appearance of "new gongbi" is mainly the transformation of artistic concepts and expressions. Most of this type of gongbi paintings are young artists with a college foundation. They are still rooted in the traditional skills of ancient gongbi paintings and continue the work of gongbi paintings. Ontology language is a method of hooking and distributing lines, but in terms of ideas and concepts, it is based on the current spiritual value orientation and expression needs of the society, based on contemporary multiculturalism, rethinking traditional culture, taking its essence, and using new artistic views and expressions. Re-recognize the relationship between tradition and the present, strengthen the spiritual depth that strong chemical strokes can express, and transform traditional Hui Hui into contemporary.

The "new" appearance presented by the new work pen is mainly the transformation of artistic concepts and expressions. Most of the young painters who show this kind of work and stroke are young painters with college foundation, they are still rooted in the traditional techniques of ancient works and strokes, and continue the method of drawing the original language of the painting, but the ideological concept is based on the spiritual value orientation and expression needs of the current society as the starting point, based on contemporary multi-culturalism, rethink traditional culture, take its essence, and re-understand the relationship between tradition and the present with new artistic concept and expression, strengthen the spiritual depth of the art and expression of the contemporary painting.

The "new" appearance of new meticulous painting is mainly the change of artistic concept and expression mode. Most of these fine brushwork artists are college based young artists. They are still rooted in the traditional skills of ancient fine brushwork, and continue to divide the way of painting in the body language. However, in terms of ideology, they take the spiritual value orientation and expression needs of the contemporary society as the starting point, and reconsider the traditional culture based on contemporary multiculturalism, take the essence and create new art. The concept and expression methods should re understand the relationship between tradition and the present, strengthen the spiritual depth that fine brushwork can express, and transform the traditional drawing back to the vocabulary to the present.