剧作家约翰•尚利的《怀疑》试图通过寓言式的戏剧形式来预示着新旧时代的转

剧作家约翰•尚利的《怀疑》试图通过寓言式的戏剧形式来预示着新旧时代的转型和社会风气的变化，然而我们从整个戏剧发展来看剧作家的创作意图却与整个戏剧内容呈现出极不一致的情况，这反映出剧作家面对现实表现出创作意图的不确定性以及对现实的困惑。戏剧核心人物的不在场给戏剧造成了一种悬疑的戏剧氛围，也使得戏剧情节的基本走向有一种扑朔迷离、莫衷一是的戏剧效果。在《怀疑》中怀疑与悬念并存，人物的怀疑形成了有力的戏剧悬念，而戏剧悬念也不断地强化着怀疑的力度，但是戏剧悬念的结尾并没有出现一种像西方传统戏剧那样与观众约定俗成的结果，而是一种开放的、不确定的、使人始料未及的戏剧结局。

剧作家约翰•尚利的《怀疑》试图通过寓言式的戏剧形式来预示着新旧时代的转型和社会风气的变化，然而我们从整个戏剧发展来看剧作家的创作意图却与整个戏剧内容呈现出极不一致的情况， 这反映出剧作家面对现实表现出创作意图的不确定性以及对现实的困惑。 戏剧核心人物的不在场给戏剧造成了一种悬疑的戏剧氛围，也使得戏剧情节的基本走向有一种扑朔迷离、莫衷一是的戏剧效果。 在《怀疑》中怀疑与悬念并存，人物的怀疑形成了有力的戏剧悬念，而戏剧悬念也不断地强化着怀疑的力度，但是戏剧悬念的结尾并没有出现一种像西方传统戏剧那样与观众约定俗成的结果，而是一种开放的、不确定的、使人始料未及的戏剧结局。

The playwright John sunley's "doubt" attempts to predict the transformation of the old and the new era and the change of social atmosphere through the allegorical drama form. However, from the perspective of the whole drama development, the playwright's creative intention is very inconsistent with the whole drama content, which reflects the uncertainty of the playwright's creative intention in the face of reality and his confusion about reality 。 The absence of the key characters in the drama creates a suspense atmosphere for the drama, and also makes the basic trend of the drama plot have a kind of confusing and inconclusive drama effect. In doubt, suspicion and suspense coexist, and the character's suspicion forms a powerful dramatic suspense, and the dramatic suspense also continuously strengthens the power of doubt. However, the end of the dramatic suspense does not appear a conventional result with the audience like the western traditional drama, but an open, uncertain and unexpected dramatic end.<br>