In addition to touting Zhuge Liang's ability to predict things like gods, the spread of the past dynasties also focused on turning Zhuge Liang into a half-man and half-fairy with boundless magic power and vast magical powers. "Seven escapades and seven verticals" was originally published in Biography of the Three Kingdoms Zhuge Liang. Pei's note quoted "Spring and Autumn of Han, Jin and Qing Dynasties". Only four words were used once, but Pinghua greatly expanded the extension of the story. As the saying goes, the Shu-Han army went south to the barbarian world. "The river is too hot to enter. Wuhou plays the lute, and the river is cold". "He threw poison at the high place of the mound, and Wuhou dismounted hastily, bared his hair, and held his sword to sacrifice to the wind." When the wind turned, the poison blew at the brute soldiers. barbarian king said, "Zhuge is not a human being, but a god." So I bowed. Driving nature to overcome difficulties can only be done by gods. In the following Yuan Zaju, Zhuge Liang wanted the wind to get the wind, the rain to get the rain, the fighting to move the stars, and the shifting to dry Kun. On the stage, Zhuge Liang is like a man and a god, playing the extraordinary ability desired by the world, invincible and invincible.
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