室内用色中的色质：即色相，是指它在色轮或色立体内部的位置、部位。纯度色

室内用色中的色质：即色相，是指它在色轮或色立体内部的位置、部位。纯度色彩及彼此混合而可能形成的所有色彩，都会产生独特的彩色相。一种色相在色轮中离开某种色相越远，它同这种色相的对比力量就越大。客观规律知识对于正确评价和使用色彩非常必要。由此，光谱上的一种颜色，譬如红色被抑制了，其余的色光射线，用透镜集合后，这些剩下的色彩总和将是绿色，是被抑制的红色的补色。一种色光同它的补色进行进行物理混合，就产生所有色光的总和——白色。互补即是和谐的本质。一对补色调和为中灰色，因此我们色环的色彩只要满足这个补色的同时对比原理，即可获得多种配色的和谐。色环上连线正方形的四色之所以和谐是因为他们其中两色调和为红色，另两色可以调和为绿色，最终回归为红绿补色的同时对比。色彩对比让色彩变得非物质化，产生震颤的动态能量。以三原色及其补色（色环上连线为正三角）为例，在排布同等程度的明暗使色彩互相联系起来的时候，要注意区别不同原色需要加或减的明度才能达到明暗程度的一致，使这些色相连结或共同突出，确保它们之间的明暗对比被消除。

室内用色中的色质：即色相，是指它在色轮或色立体内部的位置、部位。 纯度色彩及彼此混合而可能形成的所有色彩，都会产生独特的彩色相。 一种色相在色轮中离开某种色相越远，它同这种色相的对比力量就越大。 客观规律知识对于正确评价和使用色彩非常必要。 由此，光谱上的一种颜色，譬如红色被抑制了，其余的色光射线，用透镜集合后，这些剩下的色彩总和将是绿色，是被抑制的红色的补色。 一种色光同它的补色进行进行物理混合，就产生所有色光的总和——白色。 互补即是和谐的本质。 一对补色调和为中灰色，因此我们色环的色彩只要满足这个补色的同时对比原理，即可获得多种配色的和谐。 色环上连线正方形的四色之所以和谐是因为他们其中两色调和为红色，另两色可以调和为绿色，最终回归为红绿补色的同时对比。 色彩对比让色彩变得非物质化，产生震颤的动态能量。 以三原色及其补色（色环上连线为正三角）为例，在排布同等程度的明暗使色彩互相联系起来的时候，要注意区别不同原色需要加或减的明度才能达到明暗程度的一致，使这些色相连结或共同突出，确保它们之间的明暗对比被消除。

Color quality in indoor color: that is, hue, refers to its position and position in the color wheel or color solid. Pure colors and all colors that may be formed by mixing with each other will produce a unique color phase. The further away a hue is from a hue in the color wheel, the greater the contrast between it and that hue. The knowledge of objective law is very necessary for the correct evaluation and use of color. As a result, a color in the spectrum, such as red, is suppressed, and the rest of the colored light rays are collected by the lens. The sum of these remaining colors will be green, which is the complementary color of the suppressed red. A kind of colored light is mixed with its complementary color to produce the sum of all colored lights white. Complementarity is the essence of harmony. A pair of complementary colors are medium gray, so as long as the color of our color ring meets the principle of simultaneous contrast of complementary colors, we can obtain the harmony of multiple color matching. The reason why the four colors connected to the square on the color ring are harmonious is that two of them are red, and the other two can be green, and finally return to the red green complementary color at the same time. Color contrast makes color immaterial and produces dynamic energy of tremor. Take three primary colors and their complementary colors (the connecting line on the color ring is a positive triangle) as an example. When arranging the same degree of light and shade to connect colors, we should pay attention to distinguish the lightness that needs to be added or subtracted from different primary colors in order to achieve the consistency of light and shade, so as to connect or highlight these colors together, and ensure that the light and shade contrast between them is eliminated.<br>