2.2 隋唐时期——风俗奉为神隋唐时期，随着经济文化的繁荣和“说话”艺

2.2 隋唐时期——风俗奉为神<br>隋唐时期，随着经济文化的繁荣和“说话”艺术的盛行，关于诸葛亮的记载内容更加丰富，体裁也更显多样化。这些使诸葛亮的神化形象有了进一步的发展。与魏晋南北朝时期相比，隋唐时期的诸葛亮在形象上少了些奇异怪诞的成分，而其“智”与“神”的部分得到更加突出的展现。<br>2.3 宋元时期——本领非凡道家仙<br>宋元之前，民间百姓和知识分子对于诸葛亮形象的神化有着不同的路径。民间百姓源于对诸葛亮的怀念而在其故事中添加了宗教神秘元素，使其人逐渐脱离史传中的形象，而具有了神异之色彩；知识分子因为尊崇诸葛亮而乐于从智谋和精神层面赞颂诸葛亮，使得诸葛亮的身份地位被不断抬高，甚至上升到“神”的地位被加以供奉。发展到宋元时期，经济的发展促进了各阶层间文化的融合。一方面，有关诸葛亮的传说故事继续在民间流传，其影响范围不断扩大；另一方面，出于生计和市场的需要，知识分子在文艺创作的选材上更加关注民间百姓的喜好，行文手法也更生活化。这些使得包括三国故事在内的很多故事在宋元的文学创作中有了新的发展，诸葛亮的神化形象在此过程中自然也与以前有所不同，这在《三国志平话》和涉及诸葛亮形象的元杂剧三国戏中表现最为明显。<br>2.4 《三国演义》完成之后——智绝贤相世无双<br>尽管诸葛亮的传说故事很早便开始在坊间流传，但人们对诸葛亮形成“神机妙算”的印象却多是来源于《三国演义》，创作者在承袭之前相关故事精华的同时，对作品进行再改编再创作，最终将诸葛亮塑造成了拥有超常智慧不凡本领的形象。

2.2 Sui and Tang Dynasties - Custom worship as God<br>During the Sui and Tang Dynasties, with the prosperity of economy and culture and the prevalence of "speaking" art, the records of Zhuge Liang were richer and more diversified. These have further developed Zhuge Liang's deified image. Compared with the Wei, Jin, southern and Northern Dynasties, Zhuge Liang in the Sui and Tang dynasties had less strange and grotesque elements in his image, and his "wisdom" and "God" were more prominently displayed.<br>2.3 song and Yuan Dynasties - Taoist immortals with extraordinary skills<br>Before the song and Yuan Dynasties, the folk people and intellectuals had different paths for the deification of Zhuge Liang's image. The folk people added religious and mysterious elements to Zhuge Liang's story from the memory of Zhuge Liang, which gradually separated him from the image in the historical biography and gave him a supernatural color; Intellectuals are willing to praise Zhuge Liang from the level of wisdom and spirit because they respect Zhuge Liang, so that Zhuge Liang's status has been continuously raised, and even rose to the status of "God" and worshipped. In the song and Yuan Dynasties, economic development promoted the cultural integration among all levels. On the one hand, the legends about Zhuge Liang continued to spread among the people, and its scope of influence continued to expand; On the other hand, out of the needs of livelihood and market, intellectuals pay more attention to the preferences of the people in the selection of literary and artistic creation, and their writing techniques are more life-oriented. These made many stories, including the stories of the Three Kingdoms, have new development in the literary creation of the song and Yuan Dynasties. The deified image of Zhuge Liang is naturally different from before in this process, which is most obvious in the Pinghua of the annals of the Three Kingdoms and the Three Kingdoms drama of the yuan Dynasty involving the image of Zhuge Liang.<br>2.4 after the completion of the romance of the Three Kingdoms - the wise and the virtuous are unparalleled in the world<br>Although Zhu Geliang's Legends began to circulate in the early days, people's impressions of Zhu Geliang's "divine intelligence" came from the romance of the Three Kingdoms, and the creators re adapted and re created their works before they inherited the essence of the stories. Finally, they created Zhu Geliang's image of extraordinary skill.

2.2 Sui and Tang Dynasties-customs are regarded as gods During the Sui and Tang Dynasties, with the prosperity of economy and culture and the prevalence of "speaking" art, the records about Zhuge Liang were richer in content and more diversified in genre. These have further developed Zhuge Liang's deified image. Compared with the Wei, Jin, Southern and Northern Dynasties, Zhuge Liang in Sui and Tang Dynasties lost some strange and grotesque elements in his image, while his "intelligence" and "spirit" were more prominently displayed. 2.3 Song and Yuan Dynasties-Taoist immortals with extraordinary abilities Before the Song and Yuan Dynasties, people and intellectuals had different ways to deify Zhuge Liang's image. The folk people added religious mysterious elements to their stories because of their memory of Zhuge Liang, which made them gradually get rid of the image in historical biography and have a strange color. Intellectuals are willing to praise Zhuge Liang from the aspects of wisdom and spirit because they respect Zhuge Liang, which makes Zhuge Liang's status constantly elevated, even to the status of "God" and enshrined. During the Song and Yuan Dynasties, economic development promoted the integration of cultures among different strata. On the one hand, the legends and stories about Zhuge Liang continue to spread among the people, and its influence scope is constantly expanding; On the other hand, due to the needs of livelihood and market, intellectuals pay more attention to the preferences of the common people in the selection of literary and artistic creations, and their writing methods are also rejuvenated. These stories, including the stories of the Three Kingdoms, have made new development in the literary creation of the Song and Yuan Dynasties, and Zhuge Liang's deified image is naturally different from before in this process, which is most obvious in the Pinghua of the Three Kingdoms and the Yuan Zaju Three Kingdoms drama involving Zhuge Liang's image. 2.4 After the completion of The Romance of The Three Kingdoms-there is no match in the world for wisdom and wisdom. Although Zhuge Liang's legendary stories have been circulating in the market for a long time, people's impression of Zhuge Liang's "ingenious calculation" mostly comes from The Romance of the Three Kingdoms. While inheriting the essence of previous related stories, the creators re-adapted and re-created the works, and finally shaped Zhuge Liang into an image with extraordinary wisdom and extraordinary skills.