此器型较少，主要有炉、觚、瓶、大小盘、碗、罐等。胎体总的来说较粗糙，大

There are few types of this vessel, mainly including furnace, goblets, bottles, large and small plates, bowls, pots, etc. Generally speaking, the carcass is rough, the carcass of large objects such as furnace, large plate, and goblets is thick and heavy, and the carcass of small objects such as small plate and bowl is lighter and thinner. However, there are also individual artifacts that are delicate and dense, showing the shape of glutinous rice. The base glaze is mostly white and shining blue, and some are slightly grayish, with a thin glaze layer. The blue and white materials should be two kinds of zhe materials and Shiziqing, resulting in some green hair color, some blue. The blue and white hair color of the furnace is mostly green, and the hair color of other utensils is mostly grayish blue. The ornamentation is more common in flowers and birds, landscapes, travertines, autumn grasses, small boats on the river, monsters, auspicious beasts, bananas, clouds and so on. The large plate likes to draw a blue and white circle on the edge of the mouth, and then paint the main decoration inside the circle; the small plate usually draws a sycamore leaf on one side of the plate, and the other side is a similar poem such as "A sycamore leaf falls, the world is full of autumn". Bottles, goblets, cans and other large objects also like to use blue and white thread as the separation of decorations. The painting method combines outline, flat painting, rendering and line drawing. The painting strokes are random, the shapes are neat, and the style is rigorous and meticulous. The layout of the screen is fuller, especially for large plates, cans, bottles, goblets and other objects. Beginning of changes in the method and shades of color, but it is not yet mature. Bottles, goblets, etc. have many flat sand bottoms. Glaze spots are often seen on the bottom of plates, bowls, jars, etc., and sticky sand on the bottom is common. The bottom of the bowl has many knife marks. There are many folk kiln wares, but official kiln wares are few, and there are very few wares with new years.

This type of device is less, mainly furnaces, tringes, bottles, size plates, bowls, cans and so on. The tire body is generally rough, large objects such as furnaces, large plates, pallets and other tire body thick, small devices such as small discs, bowls and other tire bodies are lighter and thinner. But there are also individual objects of fine, dense, visible rice-like. The bottom glaze is white and green, some are slightly gray, the glaze is thin. Green flower material should be Zhejiang material and stone green two kinds of use, resulting in some green color, some blue. Among them, the green hair color of the furnace is more green, and the hair color of other objects is more gray and blue. Tattoos are found in flowers and birds, mountains and waters, cave stones, autumn grass, river boats, monsters, beasts, bananas, clouds and so on. Large plate likes to draw a green wreath along the mouth, and then draw the main body decoration in the circle; Bottles, pots, cans and other large devices also like to use the blue line as a decoration of the separation. The drawing method is combined with sketching, flat painting, rendering, and line drawing. Painting pen tone casual, machine-shaped workman, rigorous, meticulous style. The picture layout is full, especially large plates, cans, bottles, and other objects. Changes in 皴 and thick color scales are beginning to occur, but they are not yet mature. Bottles, moths and other polysaled sand bottoms. Plates, bowls, cans and other bottoms are more commonly seen to shrink glaze points, bottom foot sticky sand is more common. More jump marks on the bottom of the bowl. There are more kilns, fewer official kilns, and very few objects with annual models.

This type of utensil is less, mainly including furnace, Gu, bottle, large and small plates, bowls, jars, etc. Generally speaking, the carcass is rough, the carcass of big utensils such as stove, big plate and Gu is thick, and the carcass of small utensils such as small plate and bowl is thin. However, some of the utensils are delicate and dense, and the shape of glutinous rice can be seen. The bottom glaze is mostly white in flashing green, and some are slightly gray, and the glaze layer is thin. The blue and white material should be Zhejiang material and shiziqing, so that some hair color is green and some blue. The blue and white hair color of the furnace is mostly green, and the hair color of other utensils is mostly gray blue. The ornamentation of flowers and birds, mountains and rivers, cave stones, autumn grass, boats on the river, monsters, auspicious animals, plantains, clouds and so on. The market likes to draw a blue and white coil at the edge of the mouth, and then draw the main body decoration in the circle. The small plates are painted on the side of the disc, and one side is written on the side of the plane, and the other side is a poem similar to "love, the whole world is autumn". Bottles, goblets, pots and other large vessels also like to use blue and white thread for decorative separation. The painting method combines sketching, flat painting, rendering and line drawing. The style of painting is casual, neat, rigorous and meticulous. The layout of the picture is relatively full, especially the large plate, jar, bottle, Gu and other objects. Texturing and shade are not mature yet. Bottle, Gu and so on are mostly flat sand bottom. At the bottom of plates, bowls and jars, there are more shrinkage glaze points, and sand sticking is more common. There are many knife marks on the bottom of the bowl. There are many folk kilns and few official kilns, and there are very few artifacts.